VEINS now available!

July 15th, 2008


Copies of veteran short story author Lawrence C. Connolly’s first novel, VEINS, are now shipping from www.FEBooks.net and www.VeinsTheNovel.com with a wider release in August.

A fast-paced supernatural thriller, VEINS features a visceral plot and engaging characters brought to life through amazing portraits by Star E. Olson. Once you start reading, you won’t be able to stop until the final bullet is fired and the last body falls.

The synopsis:

Fleeing from what should have been a perfect crime, four crooks in a black Mustang race into the Pennsylvania highlands. On the backseat, a briefcase full of cash. On their tail, a tattooed madman who wants them dead.

The driver calls himself Axle. A local boy, he knows the landscape, the coal-hauling roads and steep trails that lead to the perfect hideout: the crater of an abandoned mine. But Axle fears the crater. Terrible things happened there. Things that he has spent years trying to forget.

Enter Kwetis, the nightflyer, a specter from Axle’s ancestral past. Part memory, part nightmare, Kwetis has planned a heist of his own. And soon Axle, his partners in crime, and their pursuer will learn that their arrival at the mine was foretold long ago . . . and that each of them is a piece of a plan devised by the spirits of the Earth.

The Reviews: (more at www.VeinsTheNovel.com)

“This rich, mesmerizing, and darkly wondrous novel held me under its spell for days as I read it, and haunts me even now, weeks later. This is what grand story-telling is all about, regardless of genre. I began the novel as an admirer of Connolly; I finished it as one in awe—and so will you.”—Gary A. Braunbeck, Bram Stoker and International Horror Guild Award winning author of Destinations Unknown and Mr. Hands

“Much like the souped-up vintage Mustang that cuts through the heart of the story, VEINS starts fast, accelerates quickly, and finishes with a flourish, fulfilling all the promise at novel length that Lawrence Connolly has been flashing for years in his outstanding short stories.”—Robert Morrish, fiction editor of Cemetery Dance

Amazon’s New POD Policy

April 8th, 2008

In case you haven’t heard, Amazon is up to something that is going to make things harder for a lot of independent presses and self-published authors.

The long and the short of it is . . . at some point in the not-terribly distant future, if your POD book is not printed through BookSurge, which is owned by Amazon, it will not be available for sale on Amazon, except through their used book dealers. You can still sell them through the Amazon Advantage program, but that adds another layer of fees to the already razor-thin profit margin on many, if not most of these books.

They are not looking for exclusivity, so you could still produce POD books through alternate vendors in order to reach other sales channels (such as through Lightning Source which sells direct to Barnes and Noble and to the trade through Ingram). But this will require multiple setup fees, as well as multiple sets of files, since printers have varying requirements that need to be met in order to print the books.

While it’s certainly easy to just say suck it up and do what Amazon wants, for many small presses and self-published authors, all of those extra fees, and the extra time, is just too much, so some will be forced to choose between being sold at Amazon, or being sold elsewhere.

If you care about these issues at all, please repost this information and make sure that Amazon knows that people are not happy.

For more on the subject, here are some links:

Angela Hoy’s article on WritersWeekly.

The response page to that article (contains lots of links, up-to-date news, and a list of other articles).

SPAN Executive Director Scott Flora’s letter to Amazon’s Jeff Bezos.

E-Reads’ Richard Curtis’s article on E-Reads (he evidently saw this coming).


Don’t lose the discipline to daydream!

May 9th, 2007

So, I’ve been very busy for the past couple of years, working on building my press, freelance editing, and working the occasional hours at a part time job. It’s a period of time in my life that seems to have dragged on with near-constant work and very little rest.

As such, my own writing has suffered. I just haven’t written to any sizable amount in quite a while. After editing nine or ten hours straight, I usually don’t want to sit at the computer and put down words of my own. That drive gets hamstrung.

I thought it was simple exhaustion. Then I realized there was a deeper, less obvious problem: I wasn’t daydreaming.

Years ago, during those times when I did not have to have my brain working on something 100%, my mind would be running all over the place, dreaming up locales, characters, conversations, visual snippets, bits of action scenes . . . all the tiny building blocks of story. If I was driving, I was also talking to myself. If I was doing manual labor, I was blocking out a fight scene.

But some time ago, I began filling those moments with worries of business or personal matters. How was I going to complete the editing on such and such a project in time? Were things with the current flame really going to work out?

Rarely do these worrying sessions produce anything positive. In Tai Chi, we learn to be 100% involved and 100% aware. It’s a simplified way of saying that you should be able to do what you need to do in the here and now while still being aware of what’s going on around you and knowing when you need to react to something. That doesn’t mean you need to ignore your problems . . . it just means you give them their fair due and then move on.

I know I sound a little contradictory right now. I’m telling you to be 100% involved and 100% aware . . . and yet I’m telling you to daydream. I’m saying it’s imperative for writers to daydream . . . just don’t do it at the wrong time. Don’t get so wrapped up in your narrative that you crash your car. Don’t ruin a relationship because you never listen to the other person because you’re hearing other voices in your head.

But when the time is right, allow your mind to wander. Have fun with it. Just imagine. Then you’ll have so much more fuel with which to fire up the creative engines.

I know that since I’ve started retraining myself to daydream, I’ve been writing more. Not much, but more. The whole time and energy thing still gets in the way . . . but the characters get so insistent again, that every so often, I just can’t hold them back anymore. And I love having that feeling. I love knowing that I have to get a scene down or I’ll go crazy.